Father’s Day Ambivalence: Childhood Memories Mixed Bag

My father grows beautiful gardens. When I was a child, he built me a sandbox, and a rose garden, a wisteria arbor with a swing, and a toy wooden boat with a rubber band motor that we sailed together on the lake.

When I was a child, he often enjoyed scaring me.

He would keep teasing, not listening, while I learned that to protest was to prolong an ordeal. If I cry, he’ll keep doing it until I don’t cry anymore. He tells me I am too sensitive, though with his training, by the time I was twenty, you could slam my finger in a car door and I wouldn’t flinch. I have no fear of a surgeon’s knife or needles, though I’m frightened, sometimes, when I hear him now at my door.

My father carefully taught me to go down the stairs safely, and caught me just in time when I tripped and fell, before I hit my head on a concrete slab. He gave me a puppy with golden fur to love and named her after a song. He split open the rocks I brought him, showing me the sparkling quartz inside. He carried me on his broad shoulders. He read me stories and made sure I memorized my multiplication tables. As I grew older, sometimes in the car I pretended to be asleep when we arrived so he would lift me up and carry me for a little while.

He told me stories about his own childhood haunted by grief, and betrayal and lack.

When I was a child, he often enjoyed scaring me.

My mother saw him throw me across a creek when I was four– “Cripple Creek”– because I had trouble walking for a while after that…that’s also a song. Was it just a day that I had trouble walking? A week? I remember them both laughing when I realized, horrified, that my back was hurt in such a way I could no longer touch my toes. Pain is funny? I remember them laughing above me, also, when a different pain terrified me; I was held down, a preschooler, shamed and hurt by a stranger with their permission, not protected. He likes telling this story, as a reminder of what might happen to me again if I complain. I learned not to complain. 

My mother watched him set me, still so small, on a concrete post, high off the ground, say he was leaving, and walk away (were we in Baltimore? I can’t remember). I scraped my back jumping down, cracked my ankle, and ran after him, desperate…
…and he laughed, because I had believed him.

When I was a child, my father often enjoyed scaring me.
The person I most needed to trust was not always trustworthy.

He told me no boy would ever want to kiss me, and he kissed me himself whether I liked it or not (I learned to hold still). He calls himself “The King.” Years later I disobeyed and he took all my letters, my paintings, my journal– and threw them in a dumpster somewhere I could never find. He didn’t ask permission. The things that were most precious to me did not belong to me. I remember hearing, once, how when Dad was young, he threw a person in a dumpster, too, after an insult. Different dumpster, same anger?

My father helped how many– hundreds? Thousands? of children with disabilities graduate from high school, teaching math and history, helped young runners and wrestlers become champions. They needed him. What did I need? After all, I had enough to eat. He said he was retiring from wrestling– it was in the newspaper, I was excited I was going to have more time with him. He broke that promise. Wrestling mattered more, and winning. People told me my father was a great man; a hero. I knew I would never be so important. 

My father was proud of my straight “A’s,” though. He patiently, patiently, patiently taught me to drive. When he thought I might be an architect, he took me to New York to see an exhibit on Frank Lloyd Wright. He took me to see paintings by VanGogh and Picasso.

Before my first birthday, he almost drowned me in the Atlantic Ocean. My mother saw the wave go over us both, saw him come up without me and look around– “I lost her. Where is she?” then pointed– they hadn’t known I could swim. Did they not know the ocean is stronger than any hands, that small children are slippery? He pushed me away for holding on too tight. 

My father taught me to ride the bicycle he bought for me– purple, with a unicorn. We looked for dragons, and mermaids, and fairies together. He played Candy Land with me, and cheated so I would win. Together, we sang ‘Chantilly Lace’ and there was always music in the house because of him. He wrote me a poem as a baby, “Sweet Potatoe” (it doesn’t rhyme) …and left me to cry myself to sleep before I was two months old. 

My father’s voice is the one I hear encouraging me when I run. I wanted him to be proud of me, to love me. Hearing him call my name always gave me the extra surge of speed to cross the finish line strong, though dead last, every time, every race of the high school sport he decided I should do instead of the dancing I loved. (But not wrestling. That might have protected me). 

It feels disloyal to write the truth: He laughed at my fear and my confusion. When I was a child, my father often enjoyed scaring me. He did push-ups on the train tracks, with the train coming, my mother screaming, “Stephen! STEPHEN!” The worst thing in the world would be to be left alone with her, without him.

He painted me a rainbow and encouraged me to sign my crayon drawings. He was the only one who would brush my hair gently, not yanking my neck against the snarls or scraping my ears. He put chocolate syrup on my creamsicle ice cream, and drove to Baltimore to find his little girl a kangaroo to hug after I cried over that Australian cartoon Dot on TV. Years later, he thought I should see Old Yeller and War Horse. He said, just the other day, “I called to speak with my granddaughter, I didn’t want to talk to you.” He makes sure I know he thinks my religion is a delusion. As I walk on two sprains, and he’s tired of my slowness, he tells me it’s not that bad. It doesn’t hurt as much as I think it does.  

It didn’t really hurt when he spanked me, either, of course. He didn’t hit me with a closed fist, or a stick, or a belt… why would anyone be frightened of being hit by someone more than twice their height and six times their weight? And by the time I was five, I had learned so well he didn’t have to hit me at all. I used crayons only on paper. I did not sing at the table. I did not scrape my fork on my teeth. I did not scrape my spoon against the bowl, even if I was still hungry. I took care of myself and my sister in the mornings, quietly, so as not wake him up.

When I was a child, my father often enjoyed scaring me. He was also my only secure place: he was strong, my most comforting parent, he didn’t usually get very drunk; he was the one who never gouged my skin for being ugly or looked at me with hatred or utter indifference in his eyes. He never forgot me. The little fool you enjoy scaring has at least some value. 

I crawled into his armchair and sniffed the pipe-tobacco Old-Spice smell for comfort. I wrapped myself in the satin-edged blanket he had given me, and hugged my bunny like the Velveteen Rabbit.

He took me out at night and showed me Halley’s comet, which would never appear again in our lifetimes. As a child, we walked together where the forest and mountains come down to the sea, looking in tide pools with wonder. He showed me how you could shove cicadas up your nose, or eat them. As I didn’t want to try, he chased me with the red-eyed bugs, laughing. He dropped starfish– cold, clammy, covered in suckers, down my back– or was it Kate’s? For fun– his, not hers, not mine.

When I was a child, my father often enjoyed scaring me.

This is what I knew as love. This is what I was told was good. This is what I believed was better than I deserved. I’ve been a fool.

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Growing up in my father’s garden, I am about 11 here, with my sister, age 6. He built the birdhouse, too.

 

 

Persephone Collage: Myth, Words, and other Symbols

 

Screen Shot 2018-05-12 at 12.29.15 PMAn extraordinarily fruitful myth, many artists and storytellers have been inspired by the Persephone-Hades-Demeter tale, imagining the events, archetypes, and details in myriad ways. I first knew the story simply as “Demeter and Persephone,” told by D’Aulaires with the mother’s profound grief at Persephone’s kidnapping and then great joy at her daughter’s return as the emotional center, with the fanciful origin-of-the-seasons story also containing a wistful regret that Persephone, while in the underworld, had eaten those stupid pomegranate seeds from the garden (Beware unintended consequences of inordinate size. Also, watch what you eat!).


I can suspend disbelief regarding magic fruit, but it always seemed implausible to me that Persephone would be ignorant about the rule about the food of the underworld, and that no one would mention it to her during the months she was there. How could she not know? And if she knew, and ate at the last minute before Hermes comes to escort her back… perhaps that meant she decided she wanted to stay. What if she knew she couldn’t stay forever, or her mother would blackmail the cosmos with starvation, but wanted to rest sometimes from satisfying all the mortal children and her mother? No one who’s really hungry eats just a few pomegranate seeds–the stories vary: three, four, six, seven. By whatever count, though, that’s barely a snack.

So I wondered– what if eating a precise number of pomegranate seeds was a brilliant way to find balance with what others needed and demanded of her (your mother will cause a worldwide famine if you don’t come back! save us!) while also allowing some of what she wanted for herself? Flowers spring up from under her feet, Persephone delights everyone, but by cooperating with his grandmother, Gaia, Hades prepared a new flower just especially to please her. (The narcissus/daffodil is sacred to Hades, possibly because it’s toxic, name coming from the same root as “narcotic.” In the Victorian language of flowers, it means “desire,” also sometimes “hope” or “rebirth”). Maybe after all the festivals, Persephone longs for quiet; Hades is king of the silent kingdom. Most gardeners knows that dark soil, rich with rotted compost, nurtures good growth, and bulbs need a dormant period before they can bloom. I could imagine Hades, surrounded by hundreds of thousands (he is “the receiver of many guests”) nevertheless being lonely, and having difficulty finding anyone who would want to share his kingdom, despite it being one of dreams and sleep as well as death, jewels and glowing magma as well as darkness. I still remember the sense of wonder I felt, as a young girl, looking into the reflecting pool in the Luray Caverns. Persephone would usually be out in the fields or woods; I can imagine after sleeping out in the open, a cave could feel wonderfully secure and sheltering, cozier than being out in the wind and storms, but also a nice, cool rest in the shade after running around outside all summer. Darkness can be romantic, too. Interesting, also, that Hades weeps for Orpheus and Eurydice. There are still rules, but he’s apparently moved by music and the thought of losing someone beloved. Somehow, I can’t imagine that happening with Zeus. Certainly not Ares. Probably not Poseidon… maybe Dionysius. Maybe.

However, as I re-worked the old story, I sometimes felt ambivalent, as it is often titled “The Rape of Persephone.” In the past, “rape” could mean “theft” or “kidnapping” (as in Pope’s Rape of the Lock) coming from the Latin rapere meaning “to snatch, to grab, to carry off,”– and that’s bad enough, even if it didn’t originally carry the idea of sexual violation, with many of the paintings showing a young woman in obvious distress. Persephone is quoted in the Homeric hymn to Demeter as telling her mother “it was very much against my will.”
I’m going to take a moment to grieve for women in the past who had to marry men who raped them, and make the best they could of the situation, but who certainly didn’t get to be the queen of any kingdom, not sovereign even over their own bodies. “Marital rape” used to be considered an oxymoron, as though consent, once given, was forever and for everything. That’s not how it works. Or, at least, not how it should… though this may, in fact, still be how a woman in your neighborhood lives, possibly not even realizing how she is being coerced, and blaming herself for an unhappiness she does not understand, not having the perspective to recognize what is happening.

The Bernini sculpture I use in my collage is one I find awe-inspiring: look at his hands where they hold her waist and thighs– how can this be stone? and yet it is. I use a detail that could be an embrace enjoyed by both partners. You can see the curls of his beard in the image below– perhaps in a moment he will lay his head in her lap, or she could be about to draw him towards her heart. That’s what I guessed the first time I saw this isolated detail without a title.

Persephone and Hades by Bernini
Detail: “Pluto and Proserpina” by Bernini

The entire sculpture shows a woman in tears who is desperately trying to push away an assailant stronger than she is, arm raised in an attempt at defense that doesn’t work. She’s crying out, with tears running down her face.
I’d like that not to be the story of each winter and spring. In the older sense, rape could mean “carrying off” without the consent of the woman’s FAMILY, even if she herself wanted to go (how dare she decide!). Demeter decided for Persephone, rejecting suitors Hermes and Apollo (come on, Mom, he’s the god of light, music, and medicine… and you won’t even let me see him? What more do you want? Am I to be just your daughter forever, never going to be allowed to grow up or love anyone else?). Before her journey to the underworld, Persephone is called “Kore” which just means “maiden.” What if being “carried away” from her mother was something she welcomed? Though possessed of some wonderful powers, Demeter seems like the type of mother who might be rather smothering or controlling. Her daughter might love her, but not want to be with her all the time. Persephone’s compromise using the pomegranate gives a rhythm to the year, creating a balance not by finding a middle ground, but by moving between two extremes. Throughout my poem, I tried to find ways to make words or sometimes lines have two, non-mutually exclusive meanings. The poppy is sacred to both Hades and Demeter, growing as it does frequently in fields of grain, and also inducing sleep and dreams (or death). In places reading a little differently, the role of mother (rather than Demeter the mother) can be tyrannical as well as wonderful, something that can be all-consuming if you don’t find ways to keep other parts of you alive. Persephone could be a mother as well as a daughter and a wife and someone who works to serve the larger world. She reconciles opposites, and she inspires many.

 

 

How I found my roomate

So much depends
upon

the purple-hued
pansies

growing in a
pot

on the apartment
steps.

Thank you, William Carlos Williams, for the form.  I wrote this poem as a model for students while substitute-teaching a lesson on modern poetry in an elementary classroom. My former roommate Amy and I are still friends 17 years after we first talked about prisms and pansies (they bloom through the winter here in North Carolina).

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Words I would have liked to hear from someone*, I now tell myself: this mattered

“I’m sorry you had to carry this alone for so long, but it’s no wonder you felt you couldn’t tell anyone, or believed that telling would be worse than useless, leading only to more shame and hurt. No wonder you were confused about whom you could trust (and concluded “none of the above”).
“No wonder you felt trapped and despised your own body, no longer believing it would respond predictably to your will. No wonder you found it hard to relax, ever, with anyone, and felt safest in solitude, even though you were lonely, and even though the loneliness hurt, too.
“Yes, it did matter. This is worth crying over. Go ahead and cry until the ache starts to ease. You wanted to protect everyone else from the hurt you suffered, but your tears aren’t hurting anyone now. They’re healing you.
“I’m sorry you had no one to help you name and understand what had happened for so many years. Of course you thought it was all your fault, all your responsibility: that’s what you were taught to believe, but it was wrong. No one deserves that– NO ONE, including you. It wasn’t your fault it happened, and it wasn’t your fault you couldn’t speak of it to anyone afterwards.
“Every part of your body matters, it’s all connected, and it all belongs only to you. It was wrong for anyone to try to make you believe otherwise. That’s worth some tears, too. You know the truth: it happened, and it mattered.
“No wonder letting anyone close now feels dangerous to you. You’ve wanted to protect everyone else from the hurt you suffered. And it’s true: welcoming someone into your space does mean they can hurt you worse. After betrayal, it’s frightening to trust again, difficult to trust even your own judgement about when and how much to trust.  You’ve been so brave.
“It’s amazing that you found your way back to life (some loved you even while you were still half-dead, untouchable behind the glass wall built to shelter but now stifling). It’s amazing that you finally managed to cough up the poison apple that had been choking you for so long (no one could see what was killing you, and in the end it was no prince who saved you).
“All you have to do now is breathe. Let the tears flow, washing the hurt away. Let yourself cry, and it doesn’t have to be silent. It mattered. Go ahead and sob. It hurt, but you’re safe now. It’s over. You’re safe.
“You’ve been so strong. You are stronger than hell, and brave enough to face all the pain. You’ve been through hell, and it couldn’t hold you. Now you can let it go. Let the tears flow, and life more abundant will follow.”

*Someone: My husband asked me, in the wake of #metoo “What the hell can I say about any of this that’s not going to make it worse, call attention to myself, or be irrelevant and obvious at best?” Don’t say all of these things at once. Start with “Thank you for trusting me enough to tell me this. Is there more you’d like to say?” The answer to “How are you feeling now?” may help you judge which of these paragraphs might best apply. If in doubt, it’s a good idea to ask “Are you safe now?” Fairytale metaphors are not going to work for everyone… but I am also reminded that Rapunzel’s tears cured a man of his blindness.

Don’t worry about obvious. I tell myself what I’ve written above, and it’s hard for me to believe. Hearing it from someone else– perhaps even multiple someones– more than once, could be really helpful.

I am a teacher

I am a teacher who wipes away tears, bandages fingers, unties knots, gives hugs, opens juice boxes, and, on cold days, helps zip up thick coats.
I am a teacher who makes up songs for class transitions, singing the students in from recess.
I am a teacher who climbs ropes and crosses monkey bars.
I am a teacher who helps one student use an encyclopedia to learn about Bahrain, another to draw their family tree, labeling it in Spanish, and another to work a long division problem… all in the same hour.
I am a teacher who reads poetry, making connections to science and the seasons.
I am a teacher who demonstrates cursive letters and uses colored blocks to illustrate place value for subtraction problems with decimals (“Don’t cry, Jack. You’re going to remember how to do this again in just a minute.”).
I am a teacher who models looking up words in the dictionary and shares the etymology of “cordially” with the class.
I am a teacher who includes the direction “explain” in journal prompts and insists that everyone spell “because” correctly.
I am a teacher with blue and purple pencils stuck through the base of my ponytail, ready to write a demonstration or correct papers.
I am a teacher who starts singing “Lean on Me.” One by one, all the students join in the song.
I am a teacher who demonstrates hand-clap games (Miss Mary Mack and Categories 64).
I am a teacher who needs ibuprofen and a Snickers bar to make it through some afternoons.
I am a teacher who brings in her favorite picture books to read aloud to the class. I am a teacher who uses the class yardstick to retrieve the beautifully illustrated Chinese fairytale book “The Weaving of a Dream” from where it fell behind the bookcase.
I am a teacher who makes a playlist for indoor lunch, including “Yellow Submarine,” tunes from Moana, by OK Go, and Natalie Merchant.
I am a teacher who feels sad, noticing how much food students throw away at lunch time. The fact that it is into a compost bin makes it a little better, but still…
I am a teacher who mends books with thread and tape, and wishes she had more time herself to read.
I am a teacher who reminds students “it takes practice” and “keep practicing,” prompting them to say “I want to get better at this. I can improve with practice” instead of “this is horrible. I’m so bad at this.”
I am a teacher who takes students on a walking field trip to the woods to see lichen growing on trees.
I am a teacher who draws and demonstrates and reads and explains until every student understands that night is due to earth’s rotation, NOT because the moon blocks the sun (that, children, is called an “eclipse”).
I am a teacher who finds students’ missing books and work for them, hiding in their very own cubbies, after they’ve abandoned the search as hopeless.
I am a teacher who helps resolve a squabble between friends over a shiny object found on the ground.
I am a teacher who has students practice skip-counting by 5’s and then apply it to telling time on a clock with hands, even though digital clocks are all over the place (there’s even one on the classroom stove where we’ve made cornbread).
I am a teacher who tells students, “try again,” “you can do hard things,” and “it’s okay to be sad.”
I am a teacher who draws number lines for second grade students stumped on subtraction of double digit numbers.
I am a teacher who tells students to practice sitting like a mountain during our morning time for silence, imagining that they cup a lake in their hands, reflecting whatever they wish– blue sky or clouds or stars or anything else.

I can’t tell you what happened

I was safer in the woods, safest of all, perhaps, when I turned away from the trail, onto the track the deer made, or following the stream. I was safer, seated on the rock, surrounded by flowing water and shaded by trees, I was safer there. I was safer there than in the halls of my school. And then, in the library, surrounded by shelves as tall as trees, books like branches of a thicket, I could curl up there and be safer; I could open any book and there was a way out of confusion into a world where heroes lived, and friends, and you could go back to another place by turning a page. Safer to be between pages than in my family’s home.

What young girl wakes in the night, frightened of– what? But I could hardly breathe in that house, and so I walked out, out among the trees where I was safer. I left the house by candlelight, by moonlight. I walked, I swam, or just sat on the ground beneath the sky, no longer choked by what I could not express. I left the house and never wanted to go back.

I can’t tell you what happened.

Straight “A’s”, responsible, advanced in reading and writing, vocabulary at the 99th percentile, sure, but I could not tell you what happened. Why?

I don’t know– I can’t tell.

What makes a girl, bright and kind-hearted, want to tear her way OUT of her skin? What makes a girl run after school away and over the meadow, towards the trees, and down to the forest stream?

Haunted or hunted?

I don’t know–  I can’t tell. I can’t tell you what happened.

I learned sign language, speed-typing, Spanish, sang in Latin, wrote cursive, calligraphy, and I could still never tell you, not with all the words I know– I could not tell you what happened.

I went back.

I came back for you.

I was curled up, Mom, underneath your desk at school, curled up in a corner in the library as hours went by. Why?

I could never tell you what happened.

Would Dad have told me again— “Ignore it. Boys do that. It means that they like you.” But I don’t like him.

Mom, would you have told me again– don’t wipe off kisses. It hurts his feelings.

(Subtext: his feelings and wishes matter more than yours. Your body is not your own to control).

I did what you told me. 

I can’t tell you what happened.

I lost my voice every school year– each winter and spring. Does that mean anything? I don’t know. I couldn’t talk. Well, why should I speak? Who would listen?

I don’t know– I can’t tell.
I can’t tell you what happened. I can’t tell you what happened.

Why is this happening? Despair, terror beyond words–
and I can’t tell you what happened. I had to hide what happened.

I couldn’t tell even myself, not for years. My body carried the memories my mind needed to forgot, because it was too dangerous to remember, my anger too dangerous, the fear overwhelming.

Now let me remember the story in words. I know what happened; it ended; it’s a book I can close.